The seven elements of creative writing are characters, plots, scenes, perspectives, styles, themes and literary installations. Almost everyone agrees on what these elements are, because it's not about how many or how many times they should be used. Even if you don't plan to use any or all of these elements in your writing, you will write better if you know what these tools are and how to use them.
At the very least, the character performs the plot's work in the story. Most of the characters provide power and motivation for the entire story. The character can be human, or not, with or without life. The reader recognizes the role, fully participates in his fictional world, cheers for the unfortunate weak, and hates hateful villains.
There is a special suspense in the reader. When they are reading and enjoying the story. This pause can only be achieved when the writing is authentic, which means credibility. A reader who often has reason to question the validity of a person's writing cannot enter a state of disbelief. Therefore, the characters must be real to attract and attract readers.
Our connection to the role can be deep. Think about the many memorable characters you've read that still look more realistic than the people you know. After reading, who did not carry the alienation of Holden Caulfield and confusion with them, The Catcher in the Rye?
Please note that you can find inspiration for the character anywhere. You can make a character with anything. An inanimate character, such as Miller's Crossing's hat, can say a lot without a mouth.
Please do not have Plotding Plots
Simply put, the plot is what happens in the story. Usually, the chart follows a simple arc. When most writers began writing, they had already touched many episodes through popular culture. Every book, movie and song has a plot – something will happen. Even the game shows have a plot. Develop the habit of seeing the basic skeleton on the surface and perceiving the plot in almost everything.
There are only seven plots in British literature that have challenges. Reading any good Shakespeare series will teach you 7 plots. As an alternative, there are several good books about the plot.
Exquisite old saw
An overly simple but succinct old man sees the plot saying that there is only one plot and writes that you find a character and let him find something. Another old-fashioned view is that if your plot lags behind in speed or in a tight situation, kill a person [of course a character] to make things a bit jazz. Often, old saws should be viewed with suspicion and ready to use.
Settings are where your story takes place. Depending on your story needs, you may have one or more. Settings may be large, such as where John Irving uses Until I find you This is so obvious that one or two European cities may be just real roles. Instead, your setup might be in the living room or kitchen. Just think about the drama you showed in a few settings, like in Arsenic and old lace .
The best advice about using this element is to ask yourself how a particular setting will emphasize the theme at work. Are you using a task map that best suits the location of your journey? If your story is about an enlightenment, a story of personal growth, then the setup seems less important because this type of task is primarily unfolding in the mind's mind.
I want to believe it!
The only way to set the error is to use a setting other than your favorite. Specially chosen settings can cause errors to the reader, so don't do this. If you are writing a Romance type, then a wild romantic environment is appropriate. If you write science fiction, make sure you write a scientist first, so even if your world is clearly imaginary, your setup is credible. For a few trusted SciFi worlds, read any of Robert L Heinlein's content.
In general, we know that this story is getting higher and higher as it is told, so the reliability or lack of visibility on the point of view will soon become an indispensable tool. Many scammers have used their ideas to tell a story, such as Tom Sawyer Huckleberry Finn Adventures The effect is not obvious [Tom has a lot of explanations for adults].
When deciding which viewpoint to use, first determine which story you are telling. Is your narrator the best character for storytelling? Imagine Lolita From Humbert's point of view, write it out! Do you need your narrator to lie or tell the truth?
There are many options for the type of opinion: the first person , me and me; Second person You; more common Third person , he, she, Jenny, Richard; The third person knows everything Which includes viewing all characters ' mind; finally Third person limited Tell the whole story through a character.
Choose the idea that best tells the story you want to tell in the way you want. Don't be afraid to try to write your story from a few different perspectives before you find the right one. Just don't be afraid to try anything in your writing, because no matter how long you write or how much you write, it's a lifelong journey, you are constantly discovering new things as a writer and this big old world you wrote [or From the case of SciFi].
The style is slippery because it consists of thin, smoked, short-lived things that are apparently extant, but hard to grasp. It is a sign in your writing, from your vocabulary, grammar, rhythm, sound and mood. It may be an imitation but mainly your natural by-product. It ignores most efforts to manipulate it. It is also as personalized as DNA. Read any of Kurt Vonnegut's content and follow along with some Ernest Hemingway. You'll find that every writer is great, has crazy talent, and is as different as possible from other writers.
If you like, you can change your style with designs such as elevated vocabulary and specific themes. You can even imitate authors with more obvious styles, but no one suggests that it makes you a better writer. Some freelancers claim that they control their style, as their mission requirements change from one style to another, but again, it is a design for a certain purpose, rather than a physical modification of the individual style. be yourself. It's easier and better to write.
The theme in the novel is not limited to any particular idea. Your theme refers to the meaning of the story ' or larger ideas in your story, such as murder, betrayal, honesty and compassion. A given point, not because it naturally fits your story, that article may fail.
Tell me, don't tell me
The problem with premeditated pedantic use of the subject is that you always sound convincing. Art is not because art teachers spread from the inside out, changing people in meaningful ways through internal learning experiences, rather than yelling at them before they agree to listen because they are tired of listening.
Readers like to decide for them the meaning or statement of your story to the larger world. Readers don't like to be advertised, and they don't like how to explain events in your writing. Do not do. Show without saying. If you must lead consciously, it is lead. Tell your story with as little prejudice and interference as you can. The garbage storyline includes a rigorous theme. You will know when you are exaggerated and need to continue explaining why.
The irony is that no matter what topic you think you are writing, readers will decide what you mean. This is the miracle and majesty of art.
No deus ex machina
The first literary device is called Deus ex machina And was used in ancient Greek drama. Literally, this is a role of God. When a hero needs help or needs immediate and devout intervention to solve the story, he is lowered into the stage. Even the Greeks who invented it knew it was cheesy. We use this sentence, Deus ex machina It now includes all kinds of tacky, artificial plot resolutions.
Other types of literary equipment include, but are not limited to, allusions, words, inscriptions, euphemisms, foreshadows, images, metaphors/metaphors, and anthropomorphism. You may not plan to use either of them, but keep in mind that all written content contains these devices and they are very useful to authors. As with all tools, use the right tools at the right time, but don't use equipment instead of good writing, or you will be cheesy.
How much do you care?
We know that our readers are always on the lookout, but some people like to be tested, so here is a quiz on this article. The answer won't be hidden under the question, so For your honor, there is no cheating.
It is a good idea to use deus ex machina to solve the plot dilemma.
2. The image is only used for an animated story.
Using a strong sermon theme in your story is a sure good idea.
Ancient Greek dramatists invented the dictionary.
The foreboding is a very good eye shadow brand.
6. Fire is one of the seven elements of the novel.
7. Each story must use at least one fictional 7 elements.
Your author has too much fun making this quiz.
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